From Nirona to the World: Rogan Kala in 2050
- Samvar Shah

- Sep 30
- 2 min read

My vision for the future of Rogan Kala:
In 2050, when you walk through the crowded streets of New York, Milan, or Tokyo, you will see paisleys glowing on storefronts. These are Rogan Kala paisleys — the 300-year-old art from the small village of Nirona in Kutch. What began as hand-drawn motifs on fabric has become a visual signature of India across the globe, the way manga is for Japan or calligraphy is for China.
From Village Workshop to Global Wardrobe
By 2050, Rogan Kala is no longer confined to framed canvases or saris. Jackets in Paris carry motifs hand-finished in Nirona. Yoga mats in San Francisco flow with Rogan vines authenticated by blockchain. When you scan a piece, you see its lineage: which Khatri artist created it, how the motif evolved from earlier generations, how it traveled across oceans. It is a luxury brand, prestigious enough to be handed down generations as heritage.
This is the revolution of being global but local as the world has access, but Nirona remains the beating heart. No machine-made imitation can pass as Rogan because every authentic piece is digitally stamped with its origin. The Khatris are artisans and now the custodians of cultural IP, ensuring their heritage is both preserved and prospering.
The Visual Identity of India
Every country has an image that the world recognizes instantly. For Japan, it is manga and anime. For Morocco, zellige tiles. For China, brush calligraphy. For India in 2050, it is Rogan Kala.
The reason is Rogan has what modern identity craves. Its forms can live on fabric, on digital screens, on skyscraper façades. It is timeless and endlessly adaptable. In 2050, Indian embassies around the world are wrapped in Rogan projections that shift with the seasons. A Rogan paisley blooms at the opening ceremony of the Olympics, reminding the world of India’s continuity of craft.
Why This Future Matters
For centuries, Rogan Kala was on the edge of disappearance, practiced by only one family. But in 2050, it is everywhere. By embracing technology — blockchain authentication, GAN assisted and global co-creation — Rogan Kala has secured its place as a living, breathing identity of India on the world stage.
And through all of this, the village of Nirona and the Khatri family, still holds the stylus.


interesting! thanks for the good read! since it is a dying art, we could possibly hand it to the tribal communities in the southwest of India to revive it through the artwork that they make for their employment training programs. I've heard it works very well with present tribal art forms - ensuring they receive due compensation, of course.